| Mark Godfrey and Katy Siegel (ed.), Making Their Mark: Art by Women in the Shah Garg Collection, Gregory R. Miller & Co., New York, NY, 2023, 432 pgs. Publication website | View of pages on Medrie MacPhee |
| Eisenman, Nicole (essay), Sillman, Amy and MacPhee, Medrie (in interview), Words Fail Me: Medrie MacPhee (exhibition catalog), Tibor de Nagy Gallery, New York, 2021, 43 pages. |
| Wilkin, Karen, “Medrie MacPhee: Works on Paper”, The Hopkins Review, Volume 14, Number 2, Spring 2021, pp. 267-276. pdf |
| Fateman, Johanna, “Medrie MacPhee”, The New Yorker, n.d., 2021.jpg |
| Smith, Roberta, “4 Art Gallery Shows to See Right Now: Medrie MacPhee”, The New York Times, February 17, 2021.jpg |
| Stevenson, Jonathan, “Medrie MacPhee, David Humphrey, and the power of recognition”, The NYC blogazine, February 14, 2021pdfpng |
| Smith, Roberta, “A Bouquet of Group Art Shows Near Houston Street”, Critics Notebook, New York Times, August 13, 2020pdfpng |
| Wilkin, Karen, “The Covid Chronicle”, The New Criterion, September 2020pdf |
| Waltemath, Joan (ed), with writings by Nancy Princenthal, Raphael Rubinstein, Jutta Koether, Barry Schwabsky, Rethinking Painting, MICA, 2020, page 75 |
| Shields, Andrew (poems) and MacPhee, Medrie (paintings), “The Castles of America”, Evergreen Review, Summer 2020 pdf |
| Interventions: 31 Women Artists (exhibition catalogue), Galerie McClure, Montreal, Quebec 2018 |
| Wayne, Leslie, “Comfort Clothing for Fraught Times” (Medrie MacPhee in conversation with Leslie Wayne), Artcritical: the online magazine of art and ideas, July 20th, 2017pdf |
| Maine, Stephen, “The Clothes Make the Painting”, Hyperallergic, July 8, 2017 |
| _____, “Goings on About Town: Medrie MacPhee”, The New Yorker, New York, July 2017. |
| Butler, Sharon, “Medrie MacPhee: Flat-out at Tibor de Nagy”, Two Coats of Paint Blog, New York, June 17, 2017 |
| Hoffman, Jens, 99 Cents or Less (catalogue), Karma, New York, 2017. |
| Gopnik, Blake, “Medrie MacPhee Paints With a Tailor’s Shears”, The Daily Pic, Artnet News, June 20, 2017 |
| Mudd, Elena, and the G-Module Team, “Review: Medrie MacPhee ‘Scavenge’”, G-Module Art Advisory, August 1, 2017 |
| “Medrie MacPhee at Tibor de Nagy, New York”, Blouin Art Info: International, June 13, 2017 |
| Butler, Sharon, “Interview: Medrie MacPhee in Ridgewood”, Two Coats of Paint Blog, New York, March 17, 2016 |
| Hunt, Stephan, “Fictional Spaces”, The Calgary Herald, Calgary, December 12, 2014 |
| Baldissera, Lisa, “Rewilding Modernity”, e Catalogue, Mendal Art Gallery, 2014, Sask., Saskatchewan |
| Smith, Roberta, “Vivid”, New York Times, January 20, 2011 |
| Christine Kee, “Futuristic Species”, artcritical.com, July 16, 2010 |
| Wilkin, Karen, “At the Galleries”, Hudson Review, Volume LXIII, No. 2 Summer 2010 |
| McLean-Ferris, Laura, “Reviews, Marathon, London”, Art Review, January/Feb, 2009 |
| Tully, Judd, “Chelsea’s Silver Lining”, ARTINFO ( www.artinfo.com) January 23, 2008 |
| Dault, Gary Michael, “To Know or Not to Know: That is The Question”, Medrie MacPhee, Toronto Globe & Mail, November 4, 2006 |
| Goodman, Jonathan, “Under My Skin, Medrie MacPhee”, Art In America, May 2006 |
| Biro, Mathew, “In Polytechnicolor”, Contemporary, Issue #66, Oct. 2004, London UK |
| Genocchio, Ben, “A Backup Plan With Refined Results”, New York Times, May, 30, 04 |
| Peden, Paul “It’s the New Thing”, Miser and Now Issue #1, Nov. 14, 2003, London UK |
| “Zukunft ist interdisziplinar: Medrie MacPhee Architeckturkonstrukte und Korperbaustellen”, Seigener Zeitung, Oct.4, 2003 |
| Dahle, Sigrid, “Short Stories, Captivating Addictive Exhibit”, Winnipeg Free Press, 7/02 |
| Bouchard, Gilbert, “Between Reality and Our Dreams”, Edmonton Journal, Nov. 30/01 |
| Thorkelson, Erila ADreamland, SEE Magazine, Issue # 417, November 29, 2001 |
| Johnson, Ken, APushing Paint, Joseph Helman Gallery, New York Times, Sept.14, 2001 |
| Enright, Robert, Ungrounding Science, Medrie MacPhee’s Meditations on Survival, Border Crossings, Volume 20 Number, Issue No.78, Summer 2001 |
| Dault, Gary Michael, “Medrie MacPhee at Pari Nadimi”, Globe & Mail, Toronto, April 14, 2001 |
| Hanna, Deidre, A Surreal Deal, Medrie MacPhee at Pari Nadimi Now Magazine, April 18-24, 2001 |
| Theberge, Pierre, Director’s Notebook, Vernissage, National Gallery of Canada, 2001 |
| Newlands, Anne, Canadian Art From Its Beginnings to 2000, Firefly, Ottawa, 2000 |
| Lambrecht, Mark, “26 American Artists”, catalogue essay, Campo, Antwerp, 1999 |
| Mackay, Gillian, “Medrie MacPhee at Pari Nadimi Gallery”, Globe & Mail, June 19, 1999 |
| Laurence, Robin, “Medrie MacPhee, An Interview”, Canadian Art, Summer 1999 |
| Jordan, Betty Ann, “Future Swirl”, Toronto Life, Toronto, June 1999 |
| Lamarche, Bernard, “Recyclage pictural: Des univers machiniques suranné”, Le Devoir, Montreal, May 16, 1999 |
| Houpt, Simon, “Dual Citizenship”, Toronto Globe & Mail, May 15, 1999 |
| Lehmann, Henry, “Artist Animates Life’s Nuts and Bolts”, Gazette, Montreal, May 1, 1999 |
| Goodman, Jonathan, “Medrie MacPhee: Unnatural Selection”, Medrie MacPhee, Charles H.Scott, Gallery Publications, 1999 |
| Laurence, Robin, “MacPhee Meditates on Modernism’s Failings”, The Georgia Straight, Vancouver, March 11-18, 1999 |
| Goodman, Jonathan, “Medrie MacPhee and Amy Sillman; Two Painters From New York City” Contemporary Visual Arts, January 1999 |
| Mumford, Steve, “Exquisite Corps: On The March Again”, Review: The Critical State of Visual Art in New York, Volume 4, Number 2, Oct. 1, 1998 |
| MacKay, Gillian, “Gallery Going”, Globe & Mail, Sat. March 14, 1998 |
| Thomsen, Christian, Bauen Fur Die Sinne – Erotik und Sexualitat in der Architektur, Prestel, 1996 (English edition 1998) New York, NY Summer 1996, Vol. 55 No.2, Artist’s Pages |
| Wilkin, Karen, “At The Galleries”, Partisan Review, Volume LXIII, No.1, 1996 |
| Goodman, Jonathan, review, Canadian Art, Volume 13, No.1, Spring 1996 |
| The Paris Review, Issue 137, Winter 1995 (Cover) Balken, Debra Bricker, Owen Drolet and Donna Masini, Medrie MacPhee, Paolo Baldacci Gallery, 1995 |
| Swain, Robert, Hidden Values; Contemporary Canadian Art in Corporate Collections, Douglas & McIntyre Vancouver, Toronto,1994 |
| The Paris Review, Issue 129, Winter, 1994, Artist’s Pages |
| Johnson, Ken, “Medrie MacPhee/ Baldacci Daverio”, Art In America, July, 1993 |
| Scott, Susan, “Medrie MacPhee/Baldacci Daverio”, Art News, New York, June, 1993 |
| Clarkson, David, “Medrie MacPhee/Paolo Baldacci Gallery”, Canadian Art, Summer 1993 |
| Taylor, Kate, “Art About”, Globe & Mail, Toronto, Sept. 18, 1992 |
| Hanna Deidre, “Medrie MacPhee/Mira Godard Gallery”, Now, Toronto, Sept. 10, 1992 |
| Raven, Arlene, “The Doctor Is In”, The Village Voice, New York, June 30, 1992 |
| Negri, Massimo, La Fabbrica Romantica, catalogue, Kriterion, Milano, 1992 |
| Cohen, Ronny, “Medrie MacPhee/Daverio Gallery”, Artforum, New York, Oct., 1991 |
| Ottenbrite, Phillip, “Medrie MacPhee”, catalogue, Phillipe Daverio Gallery, NYC |
| Wilkin, Karen, “At The Galleries”, Partisan Review, LVIII, 3, 1991 |
| Fillin-Yeh, Susan, The Technological Muse, Katonah Museum of Art, Katonah, NY: catalogue, 1990 |
| “As 6 Artists Saw Cities Since 1910”, New York Times, July 19, 1990 |
| Thomsen, Christian, “Personal Metaphors: Medrie MacPhee’s Magical-Fantastical Realism”, PARNASS, Vienna, January, 1990 |
| Freedman, Adele, “Medrie MacPhee’s Industrial Poetics”, Canadian Art, Fall, 1989 |
| Thomsen, Christian, LiterArchitekture, Dumont Buchwerlag, Koln, 1989 |
| Sturman, John, “Medrie MacPhee/49th Parallel”, review, Art News, New York, June, 1989 |
| Berlind, Robert, “Medrie MacPhee/49th Parallel”, review, Art In America, April, 1989 |
| Clark, John, “No Apologies”, Vanguard, review, No.18(1) 1989 |
| Tully, Judd, “Medrie MacPhee”, Taxi, preview, Oct. 1988 |
| Lehmann, Henry, “Poetry In Ruins: MacPhee’s Luminous Art”, Daily News, Montreal, 1988 |